Last Chance for ‘Arc of the Cosmos’

This is the last week you will be able to get the first edition of my short story ebook The Arc of the Cosmos. It’s only $1.99. Justarcofthecosmoscovertg (1) click the link for literary pleasure.

And don’t worry, there will be a new edition in the future.

Also, for those of you who have bought an edition, thank you for the support. And, buy another copy.

Best,

Todd

 

 

 

‘About Jake’ published at Bewildering Stories

Good morning readers. I’ve been saving this one up for more than a month. My first piece of speculative fiction, “About Jake,” to be published is up at Bewildering Stories.brown_marble

Although, it’s a non-paying market, I’m proud of this piece, given that it’s a first. Also, the editors at Bewildering Stories worked with me, suggesting rewrites that pretty much required major surgery on the piece. The practice of it was well worth the challenge of the rewrite. Their suggestions made me sharpen the focus on the story, especially the ending, which caused me no end of fits.

For the editorial assistance alone, I will recommend this market to other writers.

Also, want to thank the crew at North Texas Speculative Fiction Workshop for the critiques that helped me see through the rewrites.

Well, that’s enough chit-chat for now. Until next time, thanks for reading. Hope you enjoy the story.

Review: The Inexplicables

Usually, I try not to read a book that’s in the middle of a series before I’ve read all the books before it, but with Cherie Priest’s The Inexplicables, I made an exception. (It’s the fourth volume in her so far five-volume Clockwork Century series.) I was lured in by the cover, the intriguing portrait of a punkish redhead wearing a gas mask (yes, I bought a book for its cover). I also was lured by the back-cover synopsis. How could a book about narcotics, toxic walled cities, undead and other monsters be bad?

And, I wasn’t wrong. Sometimes you can judge a book by it’s cover. The Inexplicables delivers everything it claims in its cover synopsis: a rousing adventure in altered 1880s toxic, walled Seattle, a place where walking dead rotters roam the streets, the opiate sap is a fix for its residents and something inexplicable and hairy chases after young orphans. Or at least one orphan, Rector “Wreck’em” Sherman, the drug-addled redhead who seeks his fortune and maybe his next fix within the walled city.

His leap into adulthood includes an encounter with a monster, known in the beginning, as The Inexplicable, an oversized humanoid creature on the loose inside the city walls. In Rector’s quest to find his way in this bizarre world, he hooks up with an even stranger cast that includes an Indian princess and an airship crew.

For much of the book, the adventure hinges on Rector and gang trying to find The Inexplicable. They are interrupted in a secondary task, trying to stop a band of outsiders from blowing up the city. To me, this subplot tends to take over and the search for the monster takes a disappointing side quest. I wanted to know more about the creature, once it’s discovered

Still, it’s a fun read, and a nice introduction not only to Priest, but for me to steampunk, an SF genre I had mostly avoided, other than admiring steampunkish costumes at cons. Priest uses a lush, vivid prose to make this world come to life and I’m looking forward to working my way back to the first novel in the series, Boneshaker. She also manages to work in references to previous books in the series without distractions. A nice technique for those writing series.

— Todd

Review: Scalzi locks readers in with ‘Lock In’

In this near-future thriller, John Scalzi blends his fast-paced science fiction with suspense to yield a vivid world in which a portion of the human population is locked inside itself as a result of an insidious disease, known as Haden’s syndrome.

Technology has advanced enough — primarily through research for a disease cure  — those who suffer with the disease can live virtually by integrating their consciousness into other willing (mostly) human “Integrators” or hooking into androids known as “threeps” (yes, it is an allusion to that android).

Newly minted FBI agent Chris Shane (a Haden’s victim) partners with veteran Leslie Vann and the two wind up investigating Haden-related murder, following a suspect who might have been integrated with a Haden. The investigation is pretty standard, or as standard as the world Scalzi presents, given the murder suspect lives inside another human being, but only temporarily.

While transferring human conscious is a standard SF trope — one that Scalzi explores in his Old Man’s War series as well — Scalzi does a bang-up job making the technology plausible, especially a consciousness transfer into an android. With the novel, like all good SF, or all good fiction for that matter, Scalzi puts forth the questions of “What is human? What is it to be human?” Are the threeps human? They only seem to come to life when a human consciousness occupies them. Are you fully human if you allow another consciousness to temporarily possess your mind?

Although not quite as mindbending as his Hugo-winning Redshirts, Lock In supplies you with a good mystery story wrapped in the questions of future technologies.

— Todd

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Other related books you might want to purchase and read:

Possibly related items you might want to purchase:

 

Review: The Raw and the Cooked


The Raw and the Cooked: Adventures of a Roving Gourmand

It was a bad week for meat.

The World Health Organization, as NPR relates, “deemed that processed meats — such as bacon, sausages and hot dogs — can cause cancer.”

The story continues:

In addition, the WHO says red meats including beef, pork, veal and lamb are “probably carcinogenic” to people.

A group of 22 scientists reviewed the evidence linking red meat and processed meat consumption to cancer, and concluded that eating processed meats regularly increases the risk of colorectal cancer. Their evidence review is explained in an article published in The Lancet.

The conclusion puts processed meats in the same category of cancer risk as tobacco smoking and asbestos. This does not mean that they are equally dangerous, says theInternational Agency for Research on Cancer — the agency within the WHO that sets the classifications. And it’s important to note that even things such as aloe vera are on the list of possible carcinogens.

Jim Harrison would likely shrug the WHO’s research off, probably by snarkily calling them nutritional ninnies. At least I believe he would from his essay collection The Raw and the Cooked: Adventures of a Roving Gourmand, which I re-read this past week, mostly taking a break from fiction, and because I was craving nonfiction to fuel my journalist’s brain.  Plus, it never hurts to get a shot of Harrison in your veins.

As with his fiction, Harrison is a robust stylist in his essays, worth studying for his original metaphors alone, as he demonstrates here: “Of course, an older fool should be able to counter the emotional claymores brought about by the change of seasons and the pummeling of fortune’s spiky wheel.” A lesser writer might have opted for the cliched “emotional landmines,” but Harrison gets specific and chooses the concrete image. Claymore mines are particularly destructive, flinging steel balls into an unwitting enemy to shred them to bits.

But, Harrison is more than just a writer to study, he’s a fun, witty read, an abundant mind to explore. These essays, many of which were columns written for Esquire in the ’90s, are true essays — attempts at writing down what’s in the mind and tying it to a idea or theme. These essays rove from food and friendships to politics and poetry, all neatly of one piece.

They are also essays rich with a mind that sees abundance. Some are tongue-in-cheek about Harrison’s quest for great meals. Almost all are fun to read. And make you hungry for life in the same way Henry Miller makes you hungry for life. And hungry for good food and drink. They have made me hungry for hot dogs, which I want to cook up in the next hour or so and gobble down with a glass or two of wine. The WHO be damned.

— Todd

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Cookbooks and chefs mentioned in the book (click thumbnail to purchase):

The Martian: A review

So, I must admit I am apparently the only person — at least on this planet — who hasn’t seen The Martian on the big screen, but I’ve finally jumped on the bandwagon and read the book.* (A nice review of the movie by Melinda Snodgrass is here. She reviews the movie and book and includes some of George R.R. Martin’s commentary about book/movie adaptation. I’ve written some about book/movie adaptation in a review of Sideways.)

Like most readers, I loved book. It’s the kind of SF I think even Sad Puppies might enjoy, given it has space ships and white guys sciencing the shit out of stuff. It does, I suppose hearken back to classic SF — whatever that is.

But, its appeal is Mark Watney’s voice and the gallows humor Andy Weir has bestowed on Watney’s character. (It almost seems as if Weir had Matt Damon in mind as he was developing Watney’s voice. Of course, that could simply be the hazard of reading a novel when a movie is out that makes the voice sound like Damon’s. Or could it be Matt Damon lives inside my head?)

The book also serves as a really good study of keeping the tension flowing in a story, although there are moments when you want Weir to let up a little, and maybe let someone have a picnic at a peaceful beach or something.

For a non-science guy like me, the science in it is readable and I have to commend Weir on that. Given he has a science background — computer science — I’m pretty sure he knows how to science the shit out of stuff, or at least research enough to make the science sound plausible. The science even got Neil deGrasse Tyson approval, and that’s no small feat.

So, read the book. It’s good fun. And eventually, I will launch out at some point to see the movie.

— Todd

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*Editor’s note: I hope you will consider buying the book through this Amazon link. While I don’t want to be too agressive of a marketer, I would also like to monetize this blog a little. Thanks for your support.

 

Creating Short Fiction


In rereading Damon Knight’s Creating Short Fiction: The Classic Guide to Writing Short Fiction, he provides one of his annotated short stories, “Semper Fi,” for study. In the annotations, Knight mentions his third paragraph marks the moment where the action really begins in the story.

Is this a pretty good measure of when to begin action in the short story, or is it just another arbitrary point in a story?

How soon in a story should the action begin?