A secular life: A review of ‘Living the Secular Life’

I wish I could say I began my secular life simply through natural logic and reason. That I was always happily secular, as I am today. But I wasn’t. I grew up in a faith-filled household, with mostly happy parents. I can, to this day, relish memories of my dad belting out hymns on Sunday mornings before church.

But in religion — I can’t say I’ve ever really had a sense of faith, at least — more often than not, I found a source of misery that brought about struggles with depression, anxiety, fear and self-loathing. In various ways, I stuck with religion, however, trying to discover faith, well into my thirties and even into my early forties. Like Jacob in the Old Testament, I wrestled with metaphoric angels, with the notion of god itself.

My matches, by the way, were with mainstream evangelical Christianity. I grew up Baptist, (I took the altar call, late, at 17) at a time in the late ’70s when the Baptist church was getting infiltrated by the “born-again” movement that seems, at least to me, to have been part of the conservative counter-counterculture movement and the neo-conservative movement that gave rise to the Religious Right so pervasive and destructive not only to our politics but to the church. Underneath it all is an you’re-either-with-us-or-against-us frame of mind, that’s dividing the U.S. daily.

At one moment, I denied any god’s existence, the next, God — the biblical God — was beating me into submission with my own fears, my sense of being lost, my whole sense of well-being. I allowed religion to beat down everything from basic self-confidence to accepting money and prosperity as good things to having decent relationships with women.

But, over the years, I’ve come to accept secularism as a way of life, having discovered for me, at least, life is much better, much happier without religion, without faith.

Many of you who grew up in the U.S. around my age or older, most likely adapted to a secular life after rejecting a religious upbringing, although, according to Phil Zuckerman’s Living the Secular Life: New Answers to Old Questions, there are a growing number of us in the U.S. and worldwide.

“The percentage of Americans whom claim ‘none’ when asked their religion has grown from less than 10 percent in 1990 to some where between 20 and 30 percent today,” Zuckerman writes.

The book investigates the rise of secularism, especially in the U.S., and how various forms of humanistic practice have arisen here in the U.S., experiences as varied as our religious experience.

In his investigation, Zuckerman addresses those annoying questions believers like to pose, like “How can you be moral without God?”

Zuckerman’s answer, in short: Humanists follow the Golden Rule, a moral — and nearly universal — precept that came well before Jesus, and which Jesus taught (unfortunately there seems to be a lack of actually following Jesus in certain Christian sects these days). In greater depth, Zuckerman says,

For the nonreligious, morality isn’t about abstaining from sex or avoiding alcohol, or doing what someone in authority tells you to do, or not doing something because you fear otherworldly consequences if you do. Rather, secular morality hinges upon little else than not harming others, and helping those in need, both of which flow easily and directly from the Golden Rule’s basic, simple logic of empathetic reciprocity.

Overall, Zuckerman’s book serves as a nice introduction to humanist thought, a sort of guidebook to humanism, although I disagree with his positive view of religion in general.

In that, I tend lean toward Christopher Hitchens’ notion that “religion poisons everything.” That’s perhaps because my experience of religion was toxic or that I see its toxicity too often, as when ministers laud the massacre of gays in a nightclub in Orlando, Fla., or when even Hitchens is insulted from beyond the grave by an opportunistic evangelical writer who claims in a book the journalist and polemicist might have had a conversion experience as he lay dying of cancer.

That’s great marketing, but in it is a deviousness much more aligned with a certain fallen angel than it is with an alleged savior. It’s the kind of opportunism that makes us doubt in the first place. Thank goodness.

— Todd


Editor’s note: If you would like to live by the Golden Rule, and help poor writers in need, please consider purchasing Zuckerman’s book from the links above.


Lesson learned

I think I learned a beginning writer’s lesson: Always read the submission guidelines thoroughly.

I submitted a short story Friday morning and about an hour later received a message that I hadn’t formatted my submission correctly. I was frustrated not only by the message, but by the complicated process of editing the submission so it would conform to the publication’s format.

Part of the frustration I felt was that the manuscript I submitted was already set up in a normally acceptable format from William Shunn. The requested format wasn’t too much of a deviation — an elimination of all references to the author’s name, supposedly for a more objective consideration of the story. But, then reading the guidelines further, the editor mentions not to use Courier. Times New Roman was preferred.

This seemed very absurd, overly picky. But I changed the font.

After resubmitting, my frustration subsided. I kept thinking about students I’ve had in the past who couldn’t get formatting. I was feeling like those students must have. And I wonder, too, if not submitting the story correctly had something to do with the quick rejection — received today.

Did it reflect on my professionalism not submitting correctly?

— Todd

YA novel breaks into new dimension: A review of Laura Maisano’s ‘Schism’

Editor’s note: If you wish to purchase the book, please click the image of the book cover to go to Amazon. This profits both the writer and the Exile.

Unfortunately, I have no photographic evidence I’ve met a being from another dimension.

No matter. The salmon-skinned, winged Illirin Seer, Aime Nee, was out and about in Dallas, Texas, last month promoting her alter ego Laura Maisano‘s YA novel, Schism.

Schism proves a fun read about a mismatched pair of college students, Gabe Jones and Lea Huckley, who discover they are chasing down the same path (or should I say, portal?) toward an alternate dimension — the realm of the Illirin, a world connected to Earth by more than the dimensional pathways known as “thinnings.”

While Gabe is taking an art class as a way to fend off his grief over the loss of his fiancee and recover from memory loss, he meets Lea, a math student actively seeking a fourth dimension. After their accidental meeting, they not only discover the fourth dimension, they discover Gabe’s secret — he is Illirin, a winged inhabitant of the other realm, and one who suddenly and reluctantly gets great power thrust into his hands. Power that puts two worlds onto the cusp of interdimensional war.

The novel is a fast-paced fantasy, with plenty of romance, betrayal, and action.

It left me wanting to know more about the Illirin realm, however. Maisano touches on this new world in brief glimpses, which is appropriate given the protagonists only recently discovered it exists and that they both have ties to it.

Fortunately, this is the first book planned in a series. So, the glimpses are likely to evolve into fully formed sights. And the final pages of Schism also hint of Nee’s future role, outside of book promotions.

— Todd


Last Chance for ‘Arc of the Cosmos’

This is the last week you will be able to get the first edition of my short story ebook The Arc of the Cosmos. It’s only $1.99. Justarcofthecosmoscovertg (1) click the link for literary pleasure.

And don’t worry, there will be a new edition in the future.

Also, for those of you who have bought an edition, thank you for the support. And, buy another copy.






‘About Jake’ published at Bewildering Stories

Good morning readers. I’ve been saving this one up for more than a month. My first piece of speculative fiction, “About Jake,” to be published is up at Bewildering Stories.brown_marble

Although, it’s a non-paying market, I’m proud of this piece, given that it’s a first. Also, the editors at Bewildering Stories worked with me, suggesting rewrites that pretty much required major surgery on the piece. The practice of it was well worth the challenge of the rewrite. Their suggestions made me sharpen the focus on the story, especially the ending, which caused me no end of fits.

For the editorial assistance alone, I will recommend this market to other writers.

Also, want to thank the crew at North Texas Speculative Fiction Workshop for the critiques that helped me see through the rewrites.

Well, that’s enough chit-chat for now. Until next time, thanks for reading. Hope you enjoy the story.

Review: The Inexplicables

Usually, I try not to read a book that’s in the middle of a series before I’ve read all the books before it, but with Cherie Priest’s The Inexplicables, I made an exception. (It’s the fourth volume in her so far five-volume Clockwork Century series.) I was lured in by the cover, the intriguing portrait of a punkish redhead wearing a gas mask (yes, I bought a book for its cover). I also was lured by the back-cover synopsis. How could a book about narcotics, toxic walled cities, undead and other monsters be bad?

And, I wasn’t wrong. Sometimes you can judge a book by it’s cover. The Inexplicables delivers everything it claims in its cover synopsis: a rousing adventure in altered 1880s toxic, walled Seattle, a place where walking dead rotters roam the streets, the opiate sap is a fix for its residents and something inexplicable and hairy chases after young orphans. Or at least one orphan, Rector “Wreck’em” Sherman, the drug-addled redhead who seeks his fortune and maybe his next fix within the walled city.

His leap into adulthood includes an encounter with a monster, known in the beginning, as The Inexplicable, an oversized humanoid creature on the loose inside the city walls. In Rector’s quest to find his way in this bizarre world, he hooks up with an even stranger cast that includes an Indian princess and an airship crew.

For much of the book, the adventure hinges on Rector and gang trying to find The Inexplicable. They are interrupted in a secondary task, trying to stop a band of outsiders from blowing up the city. To me, this subplot tends to take over and the search for the monster takes a disappointing side quest. I wanted to know more about the creature, once it’s discovered

Still, it’s a fun read, and a nice introduction not only to Priest, but for me to steampunk, an SF genre I had mostly avoided, other than admiring steampunkish costumes at cons. Priest uses a lush, vivid prose to make this world come to life and I’m looking forward to working my way back to the first novel in the series, Boneshaker. She also manages to work in references to previous books in the series without distractions. A nice technique for those writing series.

— Todd

Review: Scalzi locks readers in with ‘Lock In’

In this near-future thriller, John Scalzi blends his fast-paced science fiction with suspense to yield a vivid world in which a portion of the human population is locked inside itself as a result of an insidious disease, known as Haden’s syndrome.

Technology has advanced enough — primarily through research for a disease cure  — those who suffer with the disease can live virtually by integrating their consciousness into other willing (mostly) human “Integrators” or hooking into androids known as “threeps” (yes, it is an allusion to that android).

Newly minted FBI agent Chris Shane (a Haden’s victim) partners with veteran Leslie Vann and the two wind up investigating Haden-related murder, following a suspect who might have been integrated with a Haden. The investigation is pretty standard, or as standard as the world Scalzi presents, given the murder suspect lives inside another human being, but only temporarily.

While transferring human conscious is a standard SF trope — one that Scalzi explores in his Old Man’s War series as well — Scalzi does a bang-up job making the technology plausible, especially a consciousness transfer into an android. With the novel, like all good SF, or all good fiction for that matter, Scalzi puts forth the questions of “What is human? What is it to be human?” Are the threeps human? They only seem to come to life when a human consciousness occupies them. Are you fully human if you allow another consciousness to temporarily possess your mind?

Although not quite as mindbending as his Hugo-winning Redshirts, Lock In supplies you with a good mystery story wrapped in the questions of future technologies.

— Todd


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